2nd Place winner
Inatke Tower, Blowering Reservoir, NSW, Australia
DESCRIPTION
This image is from my series The Grand Scheme, concerning the Snowy Hydro Scheme and the Snowy Mountains region in NSW, AustraliaThe Snowy Hydro Scheme is widely regarded as the most ambitious industrial project in Australia’s history. Constructed between 1949 and 1972, the system diverts water from the Snowy, Eucumbene and Murrumbidgee Rivers westward via a series of tunnels, aqueducts and reservoirs, through the Great Dividing Range for use in irrigation throughout inland Australia. In the process the water is used by power stations to create hydro electricity. It’s often referred to as an engineering wonder of the world.
But, on the driest continent on Earth, the story of The Scheme is ultimately one about humans re-shaping the environment to solve one of our most basic needs – that of water preservation. A post-WW2 nation needed the vital resources in order to grow and to survive.
Because the Scheme is situated within the pristine Kosciusko National Park, this photographic series is primarily an exploration of the balance between nature and man’s intervention upon it – the vast structures amongst epic landscapes, the re-shaped waterways and the newly created ones. But The Scheme is also a framework for the exploration of various aspects of life in the region – recreational activities like skiing in winter and walking, boating and fishing in the warmer months; the local towns and residents; and also people directly connected to The Scheme. This series aims to present a contemporary document of a landscape that changed in order for a nation to change.
This is the Blowering Reservoir intake tower taken in the early morning light, The brutalist structure creates an interesting juxtaposition with the surrounding environment and the soft-looking water – a result of the need for a long exposure.
AUTHOR
I’m a Fine Art photographer, based in Sydney, Australia. I studied at both Canterbury College of Art and the School of Communication Arts in the UK, and also Sydney College Of Art in Australia. I've also had a career in advertising, winning many international accolades including a coveted Grand Prix at Cannes.I am primarily interested in documenting the everyday world around me, with a particular interest in landscapes featuring human interventions that visually activate their surroundings in strangely compelling ways. I am drawn to spaces that convey surreal or fictitious narratives, fortuitously photogenic environments that I try to carefully document rather than photographically exaggerate. Some of my work also explores the notion of place in the context of my dual citizenship of Australia and the UK.