Very occasionally images come to me but usually I adopt a watch and wait approach. I keep a number of locations in mind that I can return to when conditions are right. Some, I’ll visit several times. I’m looking for rhythm in moving figures and to have them separated visually within plastic space. Even though I’m working in a real environment, shooting figures in this way can give them an unreal look. It’s this kind of dichotomy that I find interesting. I photograph people because they’re more interesting than ideas, and I see figuration as a casing or a vehicular language capable of externalising concepts.