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2023
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GRAND PRIZE
PROFESSIONAL WINNERS
Abstract
Architecture
Cityscapes
Conceptual
Culture
Environmental
Fashion and Beauty
Fine Art
Landscapes
Nature
Nudes
People
Photojournalism
Photomanipulation
Portrait
Sports
Still Life
Street
Travel
Wildlife and Animals
AMATEUR WINNERS
Abstract
Architecture
Cityscapes
Conceptual
Culture
Environmental
Fashion and Beauty
Fine Art
Landscapes
Nature
Nudes
People
Photojournalism
Photomanipulation
Portrait
Sports
Still Life
Street
Travel
Wildlife and Animals
3rd Place winner
Marilyn
Natalie Strohmaier, Germany
Marilyn
DESCRIPTION
face: leucospermum cordifolium
dress: gloriosa rothschildiana
shoe: vriesea carinata

This picture is part of my series „Unattainable Beauty" which deals with the artificial creation of beauty and highlights the absurdity and superficiality of the beauty and fashion industry's standards. An unrealistic ideal of physical beauty combined with the latest fashion standards continues - despite movements to the contrary in recent years - to be often portrayed in popular media and creates pressure on individuals to conform to a certain body type or fashion standards.
In order to address these absurd ideals of beauty, I created in my series unnatural beings from flowers - the symbol of beauty and youth par excellence - that pose in front of the camera like fashion models.
The magazine-like description above shows the Latin names of the flowers and plants used for this picture. The title »Marilyn« refers to the famous subway grate shot by Sam Shaw.

The "model" is hand assembled from various cut flowers and potted plants and is photographed in the studio.
AUTHOR
Natalie Strohmaier is a German Fine Art Photography Artist who carefully plans her image settings and brings them to life through a lot of manual work and patience. What unites all her images is a love of staging and a carefully thought-out visual language that plays with the viewer's experiences and associations by showing familiar things in a new way.

After first experiments with analog photography during her architecture studies, she did not engage with photography for nearly 20 years and instead focused on „designing images“ in front of the camera as a movie set designer. However, the fascination for photography returned with the newfound freedoms of digital photography and tablet-based image editing. Her image compositions developed more and more detailed and planned. She creates photography series on a wide variety of topics from everyday culture that captivate her. "My images are not Photoshop compositions, but real setups that are photographed, then retouched and finely post-processed in terms of light and color."

She does not commit to a particular visual language, but varies it depending on the subject. Each piece of work involves extensive research, planning, and staging and it often takes several weeks to finalize an image.

Her works play with symbolism and subtle humor. They invite viewers to contribute their own ideas to the interpretation, offering a space for multifaceted contemplation.
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Marilyn
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