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2023
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GRAND PRIZE
PROFESSIONAL WINNERS
Abstract
Architecture
Cityscapes
Conceptual
Culture
Environmental
Fashion and Beauty
Fine Art
Landscapes
Nature
Nudes
People
Photojournalism
Photomanipulation
Portrait
Sports
Still Life
Street
Travel
Wildlife and Animals
AMATEUR WINNERS
Abstract
Architecture
Cityscapes
Conceptual
Culture
Environmental
Fashion and Beauty
Fine Art
Landscapes
Nature
Nudes
People
Photojournalism
Photomanipulation
Portrait
Sports
Still Life
Street
Travel
Wildlife and Animals
Honorable Mention
Noa Klagsbald
Noa Klagsbald , Israel
Noa Klagsbald
DESCRIPTION
Noa Klagsbald (b.1992), an Israeli artist and photographer.
My practice incorporates photography, video, performance, and installation.
Professionally, as well as personally, I tend to explore different gender roles by confronting and retexturizing representations of masculinity and femininity, whilst reflecting upon their fluidity and boundaries through staged interactions.
My lens-based works, both still and moving, consist of performative gestures and scenes that I carefully stage while questioning societal gender structures. I often work closely with groups of men, whom I direct and lead through long-duration processes and elaborate productions.
The portfolio focuses on my reflections on sport, a field that is widely dominated by men. In order to foster my own sense of belonging, which is crucial for me as a female sports fan. I stage situations with athletes and male performers where my presence has meaning, almost as their coach or perhaps even as their captain.
Through my work, I also refer to known feminist performance and body art as well as to quotes from Western art history that I restage in unlikely scenarios, such as the locker room, the sports field, and industrial spaces.
AUTHOR
Noa Klagsbald (b.1992), an Israeli artist and photographer.
My practice incorporates photography, video, performance, and installation.
Professionally, as well as personally, I tend to explore different gender roles by confronting and retexturizing representations of masculinity and femininity, whilst reflecting upon their fluidity and boundaries through staged interactions.
My lens-based works, both still and moving, consist of performative gestures and scenes that I carefully stage while questioning societal gender structures. I often work closely with groups of men, whom I direct and lead through long-duration processes and elaborate productions.
The portfolio focuses on my reflections on sport, a field that is widely dominated by men. In order to foster my own sense of belonging, which is crucial for me as a female sports fan. I stage situations with athletes and male performers where my presence has meaning, almost as their coach or perhaps even as their captain.
Through my work, I also refer to known feminist performance and body art as well as to quotes from Western art history that I restage in unlikely scenarios, such as the locker room, the sports field, and industrial spaces.
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Noa Klagsbald
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