"Project temporarily called RED"

is part of a new experimental cycle, the main assumption of which is the search for new forms of imaging and ways of influencing the portrait on the viewer through the use of hybrid techniques located between digital photography and analog photography. All tears and additional elements were made on already printed paper and photographed again. So it is not an effect of post-production in graphic programs, but has its physical reflection at the exhibition. The main goal of the project was to check where the post-production possibilities, both digital, analog and hybrid, directly related to the redefinition of visual arts in the digital age, begin and end. Just as the Dadaists spoil art - sometimes to build, you have to first spoil or demolish it. Recipients have got used to the fact that everything is possible in image creation, which means that it is more important than the question "what will we do with the photo during processing?" is the question "what are we not going to do with it?".